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Broke and desperate for work, she attends a mysterious audition helmed by B-movie director Sam Sylvia (Marc Maron), which turns out to be for a makeshift all-female wrestling TV show. Once the cast is assembled, the women must adopt a ridiculously reductive persona (the fictional versions include a “welfare queen”, Asian-cliche-wielding Fortune Cookie and “mad bomber” Beirut), learn the wrestling moves and ensure the show makes it on air in the face of funding issues and drug-fuelled benders. The result is a cross between Orange is the New Black and DodgeBall: an ethnically diverse, Bechdel test-trouncing female ensemble act out a schmaltzy, underdog sports movie dotted with so-wrong-it’s-hilarious humour. It’s not a marriage made in heaven. Tonally, GLOW is a slippery operator. Revelling in its bad-taste 80s setting – a time when high-leg leotards and casual misogyny were inevitable facts of life – it showcases those outrageous wrestling characters and the similarly outrageous sexism faced by the women playing them with a discombobulating combination of censure and dumb glee. A slippery operator … GLOW. Photograph: Erica Parise/Netflix One particularly Frat Pack-esque (and very funny) moment centres on a rehearsal match that pits two black wrestlers against two “members of the KKK”. It’s hilarious, the kind of brainless, impeccably choreographed slapstick that once ruled comedy. GLOW, however, wants to have its cake and eat it with regards ชุดนอนเซ็กซี่ to this kind of sick humour, having Sylvia articulate the show’s get-out-of-jail-free sentiment that Gorgeous Ladies of Wrestling is about interrogating stereotypes rather than perpetuating them.
For the original version including any supplementary images or video, visit https://www.theguardian.com/tv-and-radio/2017/jun/29/glow-netflix-wrestling-women-arent-just-an-offence-to-fashion
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Yesterday afternoon, 30 women stood somberly in front of the Capitol building in Washington, D.C., dressed in red cloaks and winged bonnets inspired by the Hulu TV adaptation of Margaret Atwood’s novel The Handmaid’s Tale. They were there to protest against the Senate’s controversial health-care bill that—among many other tragic and “mean” proposals—would defund Planned Parenthood . If you’ve read the book or seen the show, you understand that its outrageous, dystopian plot line rings eerily true to what is currently happening in the U.S. For all of the feminist tees and pink pussy hats that have crossed the path in front of the Capitol, this protest garb feels particularly on point. For those who have not read the novel or seen the series, the narrative goes something like this: A psychotic right-wing religious group stages a coup and takes power over America, forcing fertile women to become childbearing handmaids to wealthy, powerful families that cannot have children themselves amid a mass fertility problem. The handmaids are raped, beaten, and forced to live in a society where their rights and freedoms are no longer recognized. Okay, so America hasn’t gotten that far yet, but the show features flashbacks to the buildup of this wild scenario—a government turns on its citizens, men mistreat women in coffee shops, protests ensue, and so on and so forth. By ชุดจั๊มสูทขายาว ราคาถูก wearing the melancholy clothing of a handmaid, the women yesterday were taking a stand ahead of the madness. The scarlet dresses and stark white caps are a sign of resistance and, some might argue, one with a bit more anger behind it than the popular pink pussy hats seen during the women’s marches in January. So will the cloak and bonnet become the new uniform for activists? They’ve already infiltrated fashion.
For the original version including any supplementary images or video, visit http://www.vogue.com/article/fashion-runway-the-handmaids-tale-protesta total noob